This is the second one I did just playing around in AfterEffects CS 6.  I still haven’t gotten the hang of uploading to youtube so the quality looks way different than it does in the AfterEffects program. Even the Export looks better. 

Not quite sure what I did but hey, trail and error right?

This I did for my Uncles video company that he’s trying to get started. So far it’s just him a friend and myself. He goes out and shoots your video and brings it to me to do whatever effects or editing you might need. Of course I’ll be right there working with you, (the client), very closely to make sure you get exactly what you want at a reasonable price. 

Alright, since the client didn’t like the first one I made this instead. He seemed to like this one a bit better. 

Program used: Adobe Aftereffects CS 6

This was a test animation for a clients intro credits. I thought this came out pretty well but apparently it wasn’t what they were looking for. I’ll post the second after this. 

Program used:
Adobe AfterEffects CS 6.

Check out video-copilot.net for some awesome Aftereffects tutorials

what did you think about frozen after watching it?

oreides:

okay i kinda went into this before and this is probably the last time im gonna talk seriously about frozen on this blog (just tired of it by now really)


first and foremost, the thing people keep skirting around to squabble over animation errors and other pointless junk: FROZEN IS RACIST. racist as SHIT and if you disagree then you’re probably a willfully ignorant raging disney fan and also undeniably racist. sorry hard facts to face but it’s more than likely true. 

  • they used Sami people as an “inspiration” without paying any respect to Sami culture. they ABSOLUTELY appropriated an indigenous culture, and what’s worse, they tore it apart, discarded most of it and whitewashed it to the point that HARDLY ANYONE CAN TELL SAMI CULTURE WAS EVER EVEN INVOLVED IN THE PROCESS. WOW WHITE PEOPLE ARE SO GOOD AT THAT. BUT IT DOESNT MATTER CAUSE IT WAS PRETTY RIGHT??? THEY WORKED SO HAAAARD WHO CARES IF THEY’RE RACIST.
  • that chilling, moving chanting in the beginning of the movie that so many people love? that’s a Sami yoik, a traditional Sami song. 
  • how about that goofy reindeer? reindeer husbandry is a HUGE aspect of Sami culture (and many indigenous cultures since ancient times- reindeer are thought to be the first domesticated animal) like i know you see it as just an animal BUT IT’S NOT JUST AN ANIMAL TO SAMI PEOPLE. if you even casually research Sami culture you would know this, and obviously Disney researched this enough to know about yoik songs and reindeer herding. 
  • SAMI PEOPLE WERE FORCED TO ASSIMILATE and colonized by white people (sound familiar), and one of the main reasons their culture and language survived was because of areas they continued to herd reindeer. 
  • "Today, in Norway and Sweden, reindeer husbandry is legally protected as an exclusive Sami livelihood, such that only persons of Sami descent with a linkage to a reindeer herding family can own, and hence make a living off, reindeer." REINDEER ARE SO FUCKING IMPORTANT TO THEIR CULTURE IT’S A LEGALLY PROTECTED RIGHT NOW. kind of gross to use a reindeer in such a slapstick manner, especially when Sami culture has pretty much been drained out of the movie, isn’t it? not to mention all the obvious errors in research, as in, reindeer have no problems on ice, you can’t ride a reindeer like a horse, etc etc…. but that’s besides the point.
  • SAMI WERE PREDOMINANTLY POC. it’s kind of like american indians these days- yes, some of us are still brown, but MANY of us are white-passing. THATS WHAT HAPPENS WHEN YOU’RE COLONIZED, TURNED INTO SEXUAL SLAVES AND FORCED TO ASSIMILATE. people like to pull up pictures of modern Sami and scoff at this debate like they even know what they’re talking about- no, you shitwads. you sad, sad little fucks. fantasy, fiction, magical, whatever- if it’s set in a historical timeframe, it should pay respect to historical facts.
  • KRISTOFF SHOULD HAVE BEEN A MOC. it’s not surprising he was whitewashed- if they had modeled him accurately IT WOULD HAVE BEEN THE FIRST INTERRACIAL COUPLE IN A DISNEY MOVIE FEATURING A WHITE WOMAN + MOC. huh, there’s plenty of disney white man + woc couples. wonder why that is??

"but ooorreeeee!! i can’t face my blatant acceptance of racism, cultural appropriation of indigenous cultures doesn’t mean jack to me… what was wrong with the STORY? it had so much heart, it was a perfect movie!!!…"

WELL OK THEN HOTSHOT LETS JUST DIVE IN TO ALL THE OTHER REASONS FROZEN WAS AWFUL.

  • Anna is the most boring character i’ve EVER seen disney pull out of their ass. she’s basically an even more dense and bland version of Rapunzel, not just in looks! but in naive, “omg so awk” personality, and even more useless to boot. (at least Rapunzel had some character development and mad hair lassoing skills.)
  • Kristoff is a total shitwad meathead, whose charming introduction was getting into Anna’s personal space and intimidating her out of his way. wow, such a stud. blossoming romance there. total feminist movie when the hero/love interest belittles the heroine/main character every chance he gets.
  • Hans was a terrible villain. the whole “keep him the nicest guy ever so people flip out when he’s a total asshole” thing is soooo lazy and honestly doesn’t even make sense. the first scene we see him in, Anna runs off and he gets dropped into the water- he surfaces, all alone, and instead of being pissed off or at least annoyed that he got soaked (pretty standard reaction for anybody) he smiles dreamily like its nbd, like he’s just the sweetest thing that ever lived. at nobody. no one around to impress. that scene should have just been cut, tbh, because it’s too unrealistic and contrived to have moments like that and then whip around and say “ah-ha!! he’s been planning it all along!” 
  • Anna and Hans was actually PROBABLY one of the most believable disney romances i’ve ever seen. they connected, they hit it off, the sense of humor was there and the chemistry was just right. infatuation set in. this is super, super clumsy writing because ohhh my god, this whole movie becomes a broken record of “ur so DUMB, anna!! you only knew him for a night!!” but in the end Mr. Right is evil, everybody and their mother knew Anna’s true feelings before she did, and SHE STILL ENDED UP WITH SOMEONE SHE’D ONLY KNOWN FOR A COUPLE DAYS. the entire movie was a shame-fest for being crazy for a dude she just met, and then it ended with her hooking up with ANOTHER dude she’d only just met!!
  • this movie was really, really sexist. i don’t know why everyone’s calling it so feminist or saying it’s a movie about sisters, because the sisterly stuff probably only took up 15% of the movie, and i can’t even think of anything feminist about it.
  • sexism exhibit A) Kristoff berates her and judges her, as a stranger, multiple times (so many times i wanted to barf) for wanting to marry someone she’d just met. is marrying someone you’ve just met a good idea? no, of course not. who’s business is that, though? a planned love interest, i guess. it sent this message over and over that men are the rational ones, and any man who would agree to a marriage like that is up to something (bc men aren’t that irrational of course)
  • sexism exhibit B) Anna couldn’t do shit on her own, and it was played for laughs. silly Anna. you think you’re so capable but ha ha ha you’re not. you need a man to save you, or shit, just a snowman will do.
  • sexism exhibit C) remember the “girls have to be pretty” comment? because of that, nONE of the female characters showed any believable range of emotions, they were always graceful and pretty and cute. pretty shallow whitewashed eyecandy.
  • as far as “sisterly” stuff, it was absolutely the only good part of the movie, but calling it “good” is quite a stretch. enjoyable, maybe. worth watching? ehhh. when Anna’s trapped by Hans and he divulges his villainous plan to kill her sister, what does she do when a snowman somehow accidentally picks the right lock on the right door and stumbles upon her weak little body? she starts thinkin’ bout BOYZ. not her sister who’s about to die. naaah, ~~*~*~*~love!~*~*~~*~~
  • enter a love life lecture from a fucking snowman who’s only been alive for barely a day. “true luv is like, hmmm, like when kristoff brought you here to hans and left forever, omg, kristoff is so great. thats tru luv, anna. i know you had a whole song and dance number DRILLING IT INTO YOUR BRAIN that you should marry and adore this dorky meathead, but i thought i should remind you. kristoff. omg there he is!! somehow he knew to come back!!”
  • ANNA’S FEELINGS DON’T EVEN MATTER. like, i don’t even know who Anna is after she jumps around her castle, bored out of her mind, and then stumbles out into the narrative. there’s no focus on Anna as a person, only her love life and trying to get Elsa to come home and knock off that wintery wiz biz. but her feelings? her thoughts, the way things have changed her? is she even lonely without her sister? is there anything more to her than being easy to laugh at and banter? did anyone even think about that, or was this just some kind of “meh, this first draft is good enough” movie?
  • Elsa, to a lesser extent but not enough to matter, is in the same boat. where did her powers come from? how did she get chased out of her home, her kingdom, her castle, by her people, away from her SISTER and whats left of her broken family… end up at a mountain in like 20 mins (can she fly?? Anna ran out in her ball gown and it took her forever to even get close to the mountains on horseback) and then go “fuck it! hahahaha!” and build a castle in glee. where did that come from? she didn’t get any time to reflect, on screen, what just happened, and overcome it. it was literally just “aahhh! fuck fuck fuck damn it oh no” to “lmao im so fucking hot i love me” ??????
  • the whole ending with the “omg do i kiss this boy who everyone TELLS me is my tru luv or do i save my sis?? omg im dying!! which one!!” was sooooooooooooooo weak. like, that could have been so much better. and it doesn’t even really matter it all ended on a “sisters4lyf” note because it was all so contrived and jerked into place to get there, it didn’t feel natural and just came outta nowhere. why was it even a QUESTION to kiss kristoff?? if this was such a sisterly movie, shouldn’t Anna have CARED more about her sister? ran off to save her as soon as olaf opened that door? ran over to save her when she saw Hans ready to chop her in two?? that’s the problem- this whole story was so poorly written without any heart or soul or thought to the characters, it doesn’t even resonate or make sense. the characters are flat, boring, and mostly pretty. there was such an emphasis on style and beauty and rendering that they completely overlooked the actual substance to any animated film- the story. the way it unfolds, the way the characters change. it was all forced together so brutally it was just a complete, awkward mess. the villain was forced, the love was forced, the change was forced, and even the narrative itself was force feeding the audience and telling, not showing, them what to think. that’s lazy. thats piss poor writing. even the songs were pretty weak.

and that’s all i have to say about it.

if you liked it- whatever. if there are things in the movie you liked well enough to find it tolerable- whatever. but don’t lie to yourself and say this is some fantastic game changing movie, “disney’s best” since whenever, because all you’re doing is letting disney set it’s own standard based on brand and not product, and that’s a shame. if you expect more, you’ll get more. if you don’t expect anything and you’re ready to gobble up any movie they shit out, soon enough their laziness will get to a point where you’re not even enjoying it anymore, and you’re disappointed. 

but crappy writing and characterization aside- THIS MOVIE WAS RACIST. deal with it. it was racist as fuck and that’s actually the most important thing to realize here. expect more from the story, sure, but DEMAND disney to stop appropriating cultures with their own sloppy takes on them. finally come to terms with the fact disney is racist, and stop coddling and sucking up to a fucking industry giant (that doesnt need any of that, seriously, they’re worth billions of fucking dollars and can fund anything they want) and start giving a shit about how DAMAGING disney can be. kid’s movies? yeah, where do you think all these problems start? don’t you think a corporation whose demographic is young children should, uh, TRY a little harder to not spread racism and sexism? so many of you think that movies directed toward children should be taken less seriously and be held to a lower standard, but i think that’s fucking horrible and disgusting. if anything, disney (and any studio that produces content for young people) should be NITPICKED TO THE BONES. criticized for every frame, every word, every message it sends. kids absorb this shit. little girls need to see body diversity. poc NEED to see themselves represented.

kids notice this shit and disney is held in such a high regard, they trust it without question. why the fuck wouldn’t we tear it apart, inch for inch? why wouldn’t we expect excellence, if we’re going to hold disney above all the rest?

(my theory is emotional manipulation, using your childhood memories and fondness for animated films to manipulate a market- generations of people fond of disney, they pass it down to their children and siblings, this sort of brand loyalty that makes people FUCKING INCREDIBLY prone to accepting anything disney makes. this is why Frozen infuriates me, and it’s a goddamn shame everyone takes this kind of junk without question. c’mon. disney is a business, not some wise old geezer telling you bedtime stories. they keep their princesses pretty and white to sell you merch you’ll buy. they toss in a few poc films, skew the facts beyond recognition to uphold whiteness, so you think they’re inclusive and poc can’t complain. give me a fucking break.) 

BY THE WAY FOR THOSE INTERESTED: this is an interesting article about women in Sami/Saami Society, indigenous feminism during assimilation and how it’s changed since the 70’s.

» Asked by Anonymous

lexxercise:

I drew a really intense Pearl.

Teen Ganondorf?

just-another-calamity:

ecnamor-lacimehc-ym:

gallifrey-feels:

sociopathic-italian-grandmas:

millshouse:

meganiun:

happyvegetable:

kennilworthy-thisp:

derinthemadscientist:

lumoslouis:

soloontherocks:

amour-vengeance:

later-homenuggets:

my friend left her window open in her bedroom and came back to find this

look at his self-satisfied little face, the cheeky shit

motherfucking australia

if there was a post to describe australia, this is it

wait. 

you mean to tell me this isn’t even a pet bird?

that in australia, you have wild birds that just fly from house to house with the express purpose of fucking shit up?

fucking HELL australia, what is wrong with you?

wake up australia 

That’s what birds do

They fly around and fuck shit up

Do you have some kind of mysterious nice birds in your weird foreign country

Do birds in America and England fly into your house and make the bed and tidy up the living room a little bit

It’s cold here, so they just bounce off the windows and lie there and twitch spasmodically while you look for the shovel.

Basically hurling themselves at windows is the worst thing birds do

yeah man a kookaburra literally flew into a classroom at my high school and just sat his smug ass down on top of the desk for a good 20 minutes

why has nobody mentioned the fact that in australia there are 3-4 months a year where everybody just accepts that they’re going to get attacked by magpies. It is literally called “swooping season” and these birds will fly down to peck your fucking face, and people get their eyes ripped out and shit, it’s fucking brutal.

My teacher had to go to hospital and have surgery because of swooping season. It was in the parking lot of school and all the kids would do a mad dash towards the car as the magpies tried to kill us.

no but when you’re 12 years old and riding your bike like mad on the way home from school with an icecream bucket on your head with like branches and shit sticking out if it to scare them off and none of this is considered strange

what the actual fuck australia 

I live in a street with a park and the magpies there have more or less been terrorising the neighbourhood since I was a kid, swooping season is a fact of life. DON’T GO IN THE PARK, YOU WILL REGRET IT.

They made an old horror movie abo u t something like this called birds. Why hasn’t anyone done a movie about this yet or even a gif?

(Source: pasqualinoh)

harpollo:

neilcicierega:

emmyc:

A lot of people are confused about how squash-and-stretch works in animation. It’s very simple! They are just exaggerated frames in-between the “alpha frames” that makes very subtle enhancements to the animation, thus creating the beautiful flowing movement in the animated gif we see above. This technique was perfected by Glenjamin Keen Disney

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yep, it’s back.

That fourth one though

Hello. When you get many requests, what way do you pick commissions to do? Do you prefer to pick commissions from "friends" that work often with you? Pick only few most interesting commissions? Pick commissions that seem to be the most expensive within commission bounds? Pick just some random works? I would love to know if each person of all the requests you get have the same chance to get their commission drawn of some people have greater chance?

hizzacked:

drgraevling:

There’s no real set and defined criteria for which commissions I will take or which I won’t. Sure, there are the things that I just won’t do (like loli/shota, gore, etc), but excluding things that I refuse to do there are very few specific “hooks”.

The most important thing is just that the commission email and description catches my eye and makes me interested when I read it. I can’t say beforehand whether a certain thing will catch my eye or not, it’s something that just happens when I take a glance at the description.

I’m not going to lie and pretend that everyone has exactly 100% equal chance of getting a commission slot, irrespective of what they want me to draw. I don’t pick things at random. There are some priority scales.

One bias that I’m completely open with is that I much prefer to draw OCs (whether they belong to the client, a friend of the client, or even one of my own) over characters from video games, books, films, cartoons etc. OCs within an established setting (like MMO characters) are still counted as more interesting to me than the established canon characters from the setting. So I’m afraid that if what you really want to see me draw is Rikku from Final Fantasy X get fucked by Nathan Drake from Uncharted, then you’ll probably be disappointed because I’m very unlikely to do that. It’s not impossible to get me to do it, it’s just more plausible that I’ll do something that involves original characters instead.

And of course I’m going to be more interested if someone wants to commission me to draw one of my own characters. Getting paid to draw essentially my own stuff? How could I not find that enticing?

And of course I have a few regulars who often manage to get a spot. Because one of the reasons that they are regulars is because we either have similar things that interest us, or they have learned what makes me interested in their commissions and they tailor them to that.

Couldn’t have said it better myself. 

» Asked by Anonymous

✵ >)

fierykage:

Send me ✵ and I will describe or post a picture/gif of how I think our muses would have sex

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» Asked by snakehawks